“Well, it’s rather brutal here. We’re advising all of our clients to invest all their resources into canned food and shotguns.” This piece of shrewd guidance comes from the Brain Gremlin – a genetically modified, talking, glasses-wearing member of the oozy monster mob that infests Manhattan’s super-smart Clamp Tower skyscraper in director Joe Dante’s zany follow-up Gremlins 2: The New Batch. Superficially, it’s nothing more than an investment tip from one monster to another. Yet, in a strange manner, it’s also surprisingly sturdy life advice. Seriously, consider my perspective.
When things go bad, the most counterproductive action you can do is take things too seriously. The Brain Gremlin comprehends this. Actually, the majority of the toothy monsters that inhabit Dante’s chaotic 1990 feature (arguably his best) possess the same sly, self-aware sense of humour regarding the hazy boundary separating everyday life and absolute bedlam. It’s a single component of Gremlins 2: The New Batch that maintains my loyalty – and as I age, it’s the underlying idea that resonates the most.
Naturally, my fondness for this movie did not begin on such an philosophical plane. As a child, we possessed merely a few scratched-up video tapes at home. Among them were Gremlins and its second chapter, the latter housed in a bulky previously-rented case almost certainly acquired from an off-brand video shop and sporting snarling creatures on its worn-out artwork. I was immediately enamoured and these films wasted no time embedding themselves inside my young, susceptible psyche. After that point, they became an almost-daily part of my early years entertainment regimen.
Dante’s original commonly garners all the praise, thanks primarily due to its legacy as a semi-scary seasonal fave – and let me be clear, I’ve watched Gremlins more times than I can count. Nevertheless, its follow-up infrequently obtains the same level of high regard, which feels criminal. As a kid, I’d invariably jump at the prospect to watch Gremlins 2. During bright summer vacations, I’d lock myself inside and pop it in. When I acquired my personal TV-VHS combo unit, it continued playing looped in my bedroom. Gradually, it ingrained itself in my psyche. If my parents observed this fixation, they gave no indication of concern.
As I grew, new understandings enhanced multiple watches, elevating the fun of watching small emerald creatures gleefully trash a New York high-rise. I learned the future-focused development mogul and Clamp Tower owner, Daniel Clamp (John Glover), was based squarely upon the later-to-be-president Donald Trump, with his auburn-haired worker Marla (Haviland Morris) alluding to his second wife Marla Maples. Thankfully, Clamp demonstrates more humanity than his real-life counterpart.
The “doomsday” video Clamp plays during maximum monster mayhem? I discovered it was inspired by a actual “Doomsday” video commissioned by the CNN boss Ted Turner as a contingency for the world truly faced apocalypse. I noticed how Dante went out of his way to film alternate cuts of a self-aware scene where Gremlins take over the actual feature in progress. An edit for movie houses, another for home video and television, each providing a grinning portion of self-referential entertainment sorcery ahead of its time.
While it was effects expert Rick Baker’s gloriously nasty-looking creatures that drew my gaze as a child, this subsurface richness kept me hooked as an adult. In time, I even spoke to Dante about it myself and he had no hesitation telling me he made the movie with the direct intention of poking fun at those who loved its absurd-yet-genuine predecessor and wanted more. “We were going to make fun of the fact you came to see it,” he cheerfully disclosed. This Looney Tunes-esque rebelliousness and resolve to not take his sequel as solemnly as his Warner Bros bosses evidently expected, only increased my affection for it.
When I went through a sudden family bereavement not long ago, I was astonished to realize that, during my most profound sorrow, all I desired to do was sit and watch Gremlins 2: The New Batch. Odd, no? Maybe not. The nostalgic calm it provided was needed to dilute my mind’s sadness sludge – but the stuff it had given me as an adult were equally valuable.
Like Gremlins rampaging through a genetics laboratory, there’s some things in life you just can’t control. Dante understands this. The Brain Gremlin shares this wisdom. Sometimes, you have to follow their example: welcome the pandemonium, put everything you’ve got into preserved goods and firearms and try not to view the world with undue solemnity.
It’s powerful existential guidance from a most improbable origin – and it’s why Gremlins 2: The New Batch will eternally stand as my go-to cinematic solace.
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